Nearly thirty years after Jim Carrey first made audiences howl with laughter as the eccentric pet detective, Ace Ventura 3: Lost in Time marks the grand return of one of comedyâs most beloved icons. Bigger, louder, and weirder than ever, this sequel catapults Ace beyond missing animals and into the uncharted territory of time itself.

The premise is as ridiculous as it is inspired: a mythical creature vanishes into the timestream, and only Ace Ventura is outlandish enough to follow it. What follows is a time-bending odyssey that throws Ace into futuristic dystopias, prehistoric chaos, and centuries where his bizarre antics feel even more out of place than usual. Itâs a fish-out-of-water story stretched across all of historyâand itâs every bit as unhinged as fans could hope.
Jim Carrey slides back into the role as though no time has passed. His manic energy, rubber-faced expressions, and gleefully absurd physicality remind us why Ace became an icon of â90s comedy. But thereâs also a subtle maturity in his performanceâAce is older, slightly more self-aware, but still utterly incapable of resisting chaos. Carrey proves that the characterâs magic was never about age, but about sheer commitment to the absurd.

The film thrives on slapstick mayhem. From accidentally starting the worldâs first stampede in prehistoric times to disguising himself as a âcyber-penguinâ in the year 3025, Aceâs misadventures are both inventive and side-splitting. The comedy is physical, verbal, and sometimes downright surreal, but it all works thanks to Carreyâs boundless dedication.
The supporting cast (to be fully revealed) provides fresh chemistry. Whether itâs exasperated allies trying to keep Ace on track or villains baffled by his nonsense, they serve as perfect straight men to his whirlwind of chaos. Their reactions often make the gags even funnier, grounding Aceâs madness in worlds that otherwise take themselves very seriously.
Visually, Lost in Time is one of the most ambitious comedies in recent years. The prehistoric sets, futuristic cityscapes, and time-warp effects burst with color and imagination, creating a playground for Aceâs antics. The film doesnât just parody time travel tropesâit embraces them, turning every era into both a backdrop and a punchline.

What keeps the movie from becoming pure chaos is its heart. Aceâs love for animalsâalways his driving forceâremains central. Whether rescuing dinosaurs from extinction or freeing futuristic lab creatures from experiments, his mission ensures the story retains warmth amid the madness. This balance of compassion and comedy gives the film more resonance than a string of gags alone.
Thematically, the movie leans into ideas of legacy and absurd heroism. Ace may be ridiculous, but his refusal to give up on creatures great and small makes him oddly noble. By the end, the message is clear: sometimes, the weirdest heroes are the ones history needs most.
The pacing is brisk, with gag after gag landing in rapid succession. Yet the movie wisely allows space for Carreyâs improvisational brilliance, letting scenes breathe just enough for his wildest inventions to shine. Fans of the original films will spot callbacks and Easter eggs, while newcomers will find fresh absurdity to love.

By its finale, Ace Ventura 3: Lost in Time cements itself as both nostalgic tribute and bold reinvention. With a 9.0/10 rating, itâs a comedy event that delivers exactly what audiences crave: unfiltered Jim Carrey, unleashed upon the fabric of time itself. Itâs absurd, itâs outrageous, and itâs proof that Ace Ventura still knows how to steal the showâwhether in the Jurassic age or the far-off future.
In short, the pet detective is backâand history will never be the same.