Some sequels stumble when dragged into the modern era, but Gremlins 3 doesnât just update the formulaâit mutates it into something darker, sharper, and far more unpredictable. Itâs been decades since the snowy nightmare of Kingston Falls, yet the Mogwai mythos has been anything but dormant. Now, in a world powered by constant screens and instant connectivity, the chaos returnsâand itâs no longer just about spilled water and midnight snacks.

The film opens with a slow-burn setup in Billy Peltzerâs quiet, nostalgia-stained home. Zach Galligan slips seamlessly back into his role, this time as a wary, slightly haunted grandfather. When Millie Bobby Brownâs Samanthaâa rebellious, tech-savvy teenâstumbles across a mysterious antique box in the attic, her curiosity triggers a chain reaction the world isnât ready for. Inside is no adorable Gizmo, but a long-forgotten nightmare: Obsidian, an alpha Mogwai whose presence radiates malice. Benedict Cumberbatchâs voice performance is chillingly restrained, dripping with menace that seeps into every scene he inhabits.
From the moment Obsidian opens his eyes, itâs clear the rules have evolvedâor rather, been broken beyond recognition. This new breed of Mogwai isnât limited by light, water, or feeding schedules. They slip into the cracks of modern life, using technology itself as a breeding ground. Security cameras glitch into madness, smartphones pulse with hypnotic static, and city billboards erupt into living nightmares. The gremlins donât just crash systemsâthey weaponize them.

Director Christopher Landon masterfully blends practical puppetry with sharp, unnerving CGI, honoring the tactile chaos of the originals while expanding their reach into a more apocalyptic scope. Classic gremlin gags are still hereâslapstick destruction, grotesque transformationsâbut now theyâre framed against blackouts, stock market crashes, and viral panic. The scale feels bigger without losing the mischievous intimacy that made the first films so beloved.
Millie Bobby Brown anchors the film with her mix of fiery determination and vulnerability, her Samantha serving as the audienceâs tether in a world spiraling into glitch-fueled anarchy. Her dynamic with Galliganâs Billy is a highlightâthereâs real emotional weight in their shared history, especially as secrets about the Mogwaiâs true origin begin to surface. When the âfourth ruleâ is finally revealed, itâs a gut punch that reframes everything we thought we knew about these creatures.
Cumberbatchâs Obsidian is a standout villainânot a screeching, chaotic gremlin, but a calculating predator who manipulates fear like currency. His quiet monologues are unnerving in their intelligence, elevating the threat from slapstick mischief to genuine horror. Every time he appears, the air seems to get colder.

The pacing is tight, moving from creeping dread to all-out mayhem with precision. Action sequences range from tense stealth in a darkened subway station to a jaw-dropping rooftop battle where neon-lit gremlins leap across skyscrapers in a storm of sparks. Yet, between the spectacle, the film never loses sight of its humorâthereâs still room for bizarre gremlin karaoke, drunken robot hijinks, and one absurdly long gag involving a hijacked drone parade.
Whatâs most surprising is the emotional resonance. Beneath the chaos lies a story about generational responsibilityâhow the mistakes of the past echo into the present, and how the younger generation must inherit not just the magic, but the burden of protecting it. Itâs this heart, tucked between the carnage and comedy, that makes the film feel like a true heir to the franchise.
By the explosive finale, when Samantha and Billy lead the charge against a swarm of Shadow Mogwai flooding Times Square, the film cements itself as more than just another legacy sequel. Itâs both a love letter to fans of the originals and a bold reimagining that dares to expand the mythology into frightening new territory.

â Rating: 9/10 â Wickedly fun, surprisingly dark, and powered by a villain you wonât forget. The Mogwai are back, and this time⊠they own the night and the internet.